IMAGE OF THE NIGHT OF MIRAJ IN POETRY (EXAMPLE OF THE CREATIONS OF A. NAVOIY, FURKAT AND A. ORIPOV)
Keywords:
Samanis, Ghaznavis, Utbi, NishapurAbstract
This article discusses the reflection of Miraj night in poetry. In the description of the Miraj night, examples from the works of Alisher Navoi, Furqat and Abdulla Oripov are analyzed and the common and different aspects of the theme in the poems of these three authors are studied. The description of the Night of Miraj occupies a special place in the works dedicated to our Prophet Muhammad (blessings to him and his relatives), the fact that this night has risen to the level of a unique image in the literature of the Muslim East, as well as comments on the difference between the nights of Isra and Miraj. It is proved with the help of examples from artistic works that these images are expressed with high pathos in our classic poets and in A. Oripov in a calm and subdued state. The sequence of events on the night of Miraj is considered as an example of the poetic works of all three artists, and scientific conclusions are drawn based on them
References
The Night of Miraj and the Night of Isra do not represent the same concept.
The Night of Miraj can be found in the literature, both in the writings and in the chapters of separate epics, which are written about the Prophet Muhammad (pbuh).
In the works of Alisher Navoi, Furqat and Abdulla Oripov, the night of Miraj is depicted in a unique way.
The art of quoting (citing verses and hadiths in a poem) is common in Navoi and Furqat, but hardly found in A. Oripov. The author of "Hajj Daftari" tried to give the verses and hadiths without quoting them exactly, but kept their content.
The image of the Meraj event is described with great pathos in Navoi and Furqat, while A. Oripov describes it with some simplicity and calmness.
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